The How to Make a Killing in-house team, lead supervised by Pete Hardy, featured a strong lineup of compositors: Dan Pryor, John Ovuson, Ed Plant and Alex Strachan.
Over 219 final visual effects shots were completed over a 11-month period for A24 / Studio Canal — an incredible achievement, whilst completely remote.
A huge thanks to Noga Alon Stein for taking us on the journey.
How to Make a Killing
“TPO VFX were an absolute dream to work with on How to Make a Killing.
They were always beyond helpful, incredibly responsive, and never complained despite the changing cut and briefs.
The quality of their work was exceptional throughout.
Matt managed everything seamlessly behind the scenes, while Pete led it creatively.
I genuinely don’t think we would have finished this project without them.
On top of that, they’re just really lovely people to work with.”